BR100 Increased By (0.62%)
BR30 Increased By (0.82%)
KSE100 Increased By (0.4%)
KSE30 Increased By (0.38%)
BECO 6.18 Increased By ▲ 0.41 (7.11%)
BML 52.80 Decreased By ▼ -0.20 (-0.38%)
BOP 34.35 Increased By ▲ 0.36 (1.06%)
CNERGY 8.16 Increased By ▲ 0.05 (0.62%)
DCL 12.25 Increased By ▲ 0.05 (0.41%)
FCCL 53.39 Increased By ▲ 0.56 (1.06%)
FCSC 5.17 Increased By ▲ 0.10 (1.97%)
FFL 18.08 Increased By ▲ 0.13 (0.72%)
FNEL 1.31 Increased By ▲ 0.02 (1.55%)
HUMNL 10.88 No Change ▼ 0.00 (0%)
KEL 8.09 Increased By ▲ 0.07 (0.87%)
KOSM 5.28 Decreased By ▼ -0.24 (-4.35%)
MLCF 87.24 Increased By ▲ 0.73 (0.84%)
NBP 186.86 Increased By ▲ 1.70 (0.92%)
PACE 10.67 Increased By ▲ 0.09 (0.85%)
PAEL 39.89 Increased By ▲ 0.47 (1.19%)
PIAHCLA 26.12 Decreased By ▼ -0.10 (-0.38%)
PIBTL 16.95 Increased By ▲ 0.28 (1.68%)
PPL 229.51 Increased By ▲ 1.33 (0.58%)
PRL 34.90 Increased By ▲ 0.22 (0.63%)
PTC 66.79 Increased By ▲ 1.46 (2.23%)
SEARL 90.58 Increased By ▲ 0.45 (0.5%)
SSGC 26.83 Increased By ▲ 0.23 (0.86%)
TELE 8.60 Increased By ▲ 0.32 (3.86%)
THCCL 58.53 Increased By ▲ 0.03 (0.05%)
TPLP 8.64 Increased By ▲ 0.42 (5.11%)
TREET 24.55 Increased By ▲ 0.02 (0.08%)
TRG 69.72 Increased By ▲ 0.01 (0.01%)
WAVES 9.96 Increased By ▲ 0.02 (0.2%)
WTL 1.30 Increased By ▲ 0.02 (1.56%)
Life & Style

‘Little Women’ musical premieres in London after three-decade wait

  • Years of false starts followed, including workshopping the project with Broadway star Elaine Stritch
Published January 28, 2026 Updated January 28, 2026 12:39pm
Photo: Reuters
Photo: Reuters
By

Decades after three Californian youth theatre students decided to write a musical based on Louisa May Alcott’s coming-of-age classic “Little Women”, they have achieved a sell-out world premiere at London’s Theatre Royal.

“We were the age of the kids when we wrote it,” said composer Dan Redfeld, speaking before Sunday’s concert performance. “Now we’re coming back to it at the age of the adults.”

“Jo - The Little Women Musical” began when Redfeld saw and loved the 1994 film of “Little Women”, starring Winona Ryder as the young heroine Jo March and Susan Sarandon as her mother Marmee.

“As you do in youth theatre,” Redfeld said, he thought: “Let’s write a musical.”

Together with lyricists Christina Harding and John Gabriel Koladziej, he did. That was the easy part.

Workshopping with Elaine Stritch

Years of false starts followed, including workshopping the project with Broadway star Elaine Stritch.

The 9/11 attacks in 2000 led funding to disappear. After that, COVID slowed their attempt to revive it, but gave them time to revise.

The show at last has funders and big stars. Following Sunday’s one-night premiere, the team is working to arrange more performances, but said they could not yet disclose details.

A selling point is the show’s lush sound provided by a nearly 30-strong orchestra that harks back to the West End musicals of the late eighties and nineties that were the creators’ influences when they began writing “Jo”.

Kerry Ellis, who sings Marmee, and has previously starred in dozens of major musicals, said such “luscious orchestras” have become rare. “This is very special because of that,” she said.

The West End premiere was preceded by an album, released last year, and recordings at London’s Abbey Road Studios, where The Beatles and so many others have gone before.

For everyone in the show, Abbey Road Studios is a setting they never take for granted. Working there was full of “pinch me moments,” Koladziej said after a rehearsal session at the Studios late last week.

Comments

200 characters remaining